Believe it or not, this is the first Venom commission Ive done. Kinda strange, right? After all these years and probably a couple hundred commissions, this is the first Venom. Weird. Anyways, thats too bad because I had a really good time working on him. He's one of those characters that you can really put your own stamp on in terms of overall look.
I wasnt really sure what I wanted my Venom to look like, but I remembered an image I'd seen once by Simon Bisley. It looked almost like a gorilla had been taken over by the symbiote and I really liked that idea. It was different and kinda funky looking. This is sort of my take on that with the huge arms, long torso and kind of short legs. The face is a bit of a generic Venom though.
Anyways, this was a real fun one. I wouldnt mind working on the character some more.
Prismacolor cool and warm markers with white paint on vellum bristol board.
I'd be sure to commission a Venom-piece from you, if I only had the money, he's one of my favourite characters in superhero-comics and you've done him so well. I like how not all of the piece is a strict lineart, like we see part of his hand be more in the shadow as well as his other leg as well. Such cool rendering on the muscles, bringing his skin "material" sort of more visible. The webs leading to his feet suggests that Spidey isn't too far, which gives the piece a bit more action even if it is a calmer sort of pose from Venom's part. I wouldn't be too worried for the "generic" face of Venom, I mean, you've still done a great job you know? I love how you use light and shadow in your works, especially in greyscale.
I wonder if a person of your status and skill has any time on his hands to pursue some of your own likes and tastes. How much do you get to draw something completely for yourself, or does work keep you super busy?
I do get time, but often end up using it to chill hehe. I work enough on my art as a pro that I usually dont want to spend the free time creating. I do wish that wasn't the case though.
Yeah, I don't really know much about a professional's daily routine, but I bet it's good to get a bit of time off from holding the pencil (: And everyone spends their free time differently in the end.
It varies greatly from person to person and depending on whether or not you're really swamped with work and deadlines or have it easy. I try to make things as easy on myself as I can.I hate when quality suffers because of a deadline. Still though, I work enough that I usually have a hard time finding motivation for personal work in the meantime.
No kidding? I grew up in Birmingham, actually. Obviously I'm stationed elsewhere these days - but still call it home. You may or may not know this - but a lot of your sketch works are highly sought after on CGC's circuits. Not that I'm surprised - it's impressive stuff sir.